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When Gravity Gives Way

On anticipating the loss of loved ones and the ground beneath our feet.

“When you lose your parents, you suddenly realise it wasn’t gravity that was keeping you on the ground all this time.” – The Sandman

My loved ones are nearing the end of their lives, and I find myself already standing in the shadow of loss. This is not yet elegy, but anticipation – the unsettling awareness that when they go, I will lose not only them but also the identity I held in their gaze.

I wrestle with the questions grief poses even before it arrives: Is it a blessing or a curse to lose loved ones suddenly, rather than through a long decline? What does it mean to perform duties with a dry face while grief waits its turn? And how might writing, when the time comes, become the ground beneath my feet when gravity gives way?

These may echo with some of you. Stop reading any further if the topic of loss is something you’d rather avoid.


There are moments in life when borrowed wisdom no longer suffices. You can read about grief, study rituals of mourning, or even listen to others recount their losses. But none of it quite prepares you for the moment when the ground beneath your own feet begins to shift.

I find myself there now. Nothing has yet happened, and yet I already sense the tremors. It is not just the anticipation of absence, but the realisation that when they are gone, a part of me will vanish too. For all my years, I have been their son – the centre of their world in ways no one else can replicate. To lose them will be to lose not only their presence, but also the identity I held in their gaze.

I know what will be expected of me when the time comes. There will be duties to perform, rituals to uphold, and responsibilities to carry out. I will need to keep a straight face, a dry eye, and a steady hand. That is as it should be. Grief will have to wait. Later – much later – it will claim its rightful place. And when it does, I suspect I will meet it in solitude, through the ritual I know best: the act of writing.

There is also the lingering question of how the end comes. Is it a blessing or a curse to lose loved ones suddenly, even in old age, rather than through a long decline? Sudden loss spares us the drawn-out erosion of dignity, the daily heartbreak of watching someone fade. Memory stays intact – you remember them whole. But the shock is brutal, leaving no time to prepare or say goodbye. The slow path, by contrast, offers time to adjust, to speak, to close old loops. Yet it also demands a heavy price: the weariness of a grief lived in advance, the hollowing-out of the self, long before the body gives way. Neither is gentle. Each is its own form of ache – the sharp rupture of absence, or the weary erosion of presence.

And then there is the sequence of loss. For a few of us do both parents leave together; one goes first, the other follows. Sometimes the gap is cruelly short – weeks or months apart – and the two griefs blur into one overwhelming season. It feels like falling through two trapdoors in quick succession, the ground giving way again before you have even found footing. At other times, the losses are separated by years. Then the first grief, raw and bewildering, slowly softens into memory. By the time the second comes, the landscape is familiar, but no less painful: not shock this time, but finality. The first loss unsettles your identity; the second seals it. With the last parent’s passing, you are no longer anyone’s child at all.

This is not morbidity. It is honesty. To speak of grief before it arrives is not to summon it prematurely (or manifest it), but to acknowledge what so many feel in silence: that mourning begins before the final breath, that the fear of becoming unmoored is as real as the loss itself. Naming this anticipation may not diminish the pain, but it does ease the loneliness of carrying it unspoken.

And here literature steps in to offer words where mine falter. In Neil Gaiman’s The Sandman, a character reflects: “When you lose your parents, you suddenly realise it wasn’t gravity that was keeping you on the ground all this time.” Those words struck me like an arrow. Because it is true. What holds us steady is not physics, but presence – the anchoring love of those who saw us first, before the world ever did.

When that gravity is cut loose, I know I will fall. But I also trust that, in time, new ground will form beneath me. Memory, writing, and the indelible traces of my parents in my own being will give me a different kind of weight. Not the same as theirs, never a replacement, but enough to keep me standing.

Until then, I remain here – naming the fear, waiting for the fall, and trusting that even in grief, words will find a way to steady me.

 
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Posted by on 04/09/2025 in Uncategorized

 

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Parallel Flames

I didn’t pick this book up with any great plan. I’d just sent mine out into the world, and I suppose I was looking for something familiar – something that once held me. What I found instead was an echo. Not of my writing, but of my wounds. This piece isn’t about comparison. It’s about how, sometimes, two very different voices can name the same ache. And how healing, when it’s honest, always finds its way back to itself.


What Two Very Different Books Taught Me About Letting Go

I wasn’t looking for it.

I had just come through the fire of publishing Codex Liberatusa deeply personal book that had taken years to shape, fracture, and reassemble. I thought I was done sitting with my ghosts for a while.

And then, out of nowhere, I found myself pulling a book off my shelf that I hadn’t touched in years: Heidi Priebe’s This Is Me Letting You Go.

No intention. No agenda. Just an old itch I couldn’t name.

I remember reading it the first time – racing through its raw confessions like someone skimming a stranger’s diary. It felt almost too intimate, too exposed. But now, years later, I read it more slowly. With quieter eyes. With scars of my own.

And this time, it landed differently.


We all grieve differently, but the ache is universal

Priebe writes like someone who has lived through fire and still smells of smoke. Her book isn’t neatly structured or tidy – it bleeds. It weeps. It sounds like midnight voicemails never sent, or the kind of letters you write but never post.

I, on the other hand, wrote Codex Liberatus like someone sifting through ashes – trying to make meaning out of what burned. The language is slower. More meditative. Less about the heartbreak itself, more about what heartbreak reveals.

But reading This Is Me Letting You Go again made me realise something humbling:
We’re speaking to the same wound.
We’re just whispering in different directions.


Two paths, same ache

One day, I paused at this line of hers:

“Sometimes the hardest part isn’t letting go but learning to start over.”

It stopped me cold. Not because it was new. But because it was familiar.

I had written something eerily close in Codex Liberatus long before re-reading her work:

Chapter 30: The Echoes of Becoming
“At some point, the wound is no longer theirs – it’s yours for staying.”

It’s uncanny, isn’t it? Two different writers, unaware of each other’s breath, arriving at the same quiet truth:

Letting go isn’t about the other person.
It’s about yourself.
And the decision to stop bleeding for a story that’s already ended.


When you’re ready, the language will find you

Priebe’s book feels like the voice of someone holding your hand through the breakup, the betrayal, the loss.
Mine feels more like the friend who returns after the storm, sits with you in silence, and asks, “Now what?”

I think we need both.

Some readers will need her fire. Others will need my stillness. And many, I suspect, will need both – just at different points in their journey.


This is not a comparison. It’s a kind of kinship.

Let me be clear: this isn’t me saying one book is better, or wiser, or more profound.

It’s me acknowledging that emotional truth has many accents. And healing speaks in multiple dialects – some sharp and urgent, others slow and contemplative.

Sometimes we heal by yelling into the night.
Sometimes we heal by naming the silence.

Both books gave me something. Both books made me feel less alone in different ways.
And if you, dear reader, are somewhere in between the pain and the becoming, maybe one of these voices will meet you where you are.

*Images used for representative purposes only

 
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Posted by on 26/07/2025 in Uncategorized

 

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